Amanda Knox slams ‘Stillwater’ film in highly effective essay

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Amanda Knox slams ‘Stillwater’ film in highly effective essay

US journalist Amanda Knox addresses a panel dialogue titled "Trial by Media" throughout the Legal Justice Pageant on the Regulation College of Mode


US journalist Amanda Knox addresses a panel dialogue titled “Trial by Media” throughout the Legal Justice Pageant on the Regulation College of Modena, northern Italy on June 15, 2019.

VINCENZO PINTO | AFP | Getty Photos

Amanda Knox is talking out towards the brand new Matt Damon movie “Stillwater.”

The journalist, who was wrongfully convicted of the homicide of Meredith Kercher and later acquitted of the crime, took to Twitter on Thursday to lambast the movie’s director Tom McCarthy in addition to the media for linking her title to the venture.

“Does my title belong to me? My face? What about my life? My story? Why does my title seek advice from occasions I had no hand in? I return to those questions as a result of others proceed to revenue off my title, face, & story with out my consent,” she wrote within the first of a collection of tweets.

Knox’s Twitter thread, which can be posted as an essay on Medium, went on to deal with sexism, the erasure of victims and her therapy within the press and in widespread tradition during the last 14 years.

Since debuting on the Cannes Movie Pageant earlier this month, “Stillwater” has obtained combined evaluations from critics and stirred up debate about how a lot it could have been impressed by Knox’s personal expertise.

In interviews, McCarthy has maintained that the story is totally fictionalized and informed Cleveland.com “there is no similarity in our two tales past an American scholar in jail.”

In McCarthy’s movie Damon performs Invoice Baker, an oil rig employee from Oklahoma who travels to Marseille, France after his estranged daughter Allison (Abigail Breslin) is imprisoned for a homicide she did not commit. Wanting to show his daughter’s innocence, Invoice takes issues into his personal palms, however comes up towards language limitations and an advanced authorized system.

The director informed Self-importance Honest that after listening to about Knox, he could not assist however think about what it will really feel wish to be in her footwear. He additionally mentioned he needed to discover what it will be like for these closest to her to endure that type of tragedy.

Matt Damon and Abigail Breslin attend the “Stillwater” New York Premiere at Rose Theater, Jazz at Lincoln Heart on July 26, 2021 in New York Metropolis.

Michael Loccisano | WireImage | Getty Photos

Knox mentioned that “Stillwater,” which premieres Friday within the U.S. and Canada, is “on no account the primary” to “rip off” her story with out consent and on the expense of her repute.

The ending of the movie differs vastly from the precise occasions of Knox’s acquittal, she mentioned. Within the movie, Allison is revealed to have requested the killer to assist do away with her roommate. Whereas she did not intend for him to kill her, her request not directly led to the homicide.

“How do you suppose that impacts my repute?” Knox wrote. “By fictionalizing away my innocence, my whole lack of involvement, by erasing the function of the authorities in my wrongful conviction, McCarthy reinforces a picture of me as a responsible and untrustworthy particular person.”

Knox mentioned that McCarthy and Damon had “no ethical obligation” to seek the advice of her in regards to the fictional story, however mentioned she and her household would have had so much to inform the director if he had reached out to them.

Knox went on to speak about how Kercher, the sufferer, has largely been erased from the narrative as is her killer Rudy Guede. She pointed to a current New York Publish headline about Guede’s launch from jail which mentioned “Man who killed Amanda Knox’s roommate freed on neighborhood service.”

“I need to pause proper right here on that phrase: ‘the Amanda Knox saga,'” Knox wrote. “What does that seek advice from? Does it seek advice from something I did? No.”

In any case, as Knox factors out, her story is just not “about an American girl finding out overseas ‘concerned in some type of sensational crime.’ It is about an American girl not concerned in a sensational crime, and but wrongfully convicted.”

Representatives from Common, which distributes the movie, didn’t instantly reply to CNBC’s request for remark.

Learn Amanda Knox’s full essay right here.

Disclosure: Comcast is the dad or mum firm of NBCUniversal and CNBC. NBCUniversal distributed “Stillwater.”



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