Mexico accuses Zara, Anthropologie & Patowl of cultural appropriation

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Mexico accuses Zara, Anthropologie & Patowl of cultural appropriation


Updates with remark sought from Carolina Herrera

MEXICO CITY, Could 30 (Reuters)Mexico has accused worldwide trend manufacturers Zara, Anthropologie, and Patowl of cultural appropriation, saying they used patterns from indigenous Mexican teams of their designs with none profit to the communities.

Mexico’s Ministry of Tradition mentioned in an announcement Friday that it had despatched letters signed by Mexico’s Tradition Minister Alejandra Frausto to all three international firms, asking every for a “public rationalization on what foundation it might privatize collective property.”

The Ministry of Tradition says Zara, owned by Inditex, the world’s largest clothes retailer, used a sample distinctive to the indigenous Mixteca neighborhood of San Juan Colorado within the southern state of Oaxaca.

Anthropologie, owned by URBN, used a design developed by the indigenous Mixe neighborhood of Santa Maria Tlahuitoltepec, whereas Patowl copied a sample from the indigenous Zapoteco neighborhood in San Antonino Castillo Velasco, each within the state of Oaxaca, in keeping with the Ministry of Tradition.

URBN, Inditex, and Patowl couldn’t be instantly reached for remark.

The extent to which trend designers have profited from incorporating cultural designs with out acknowledging their origins or pretty compensating communities has been some extent of rivalry lately.

In 2019, the Mexican authorities accused trend home Carolina Herrera of cultural appropriation of indigenous patterns and textiles from Mexico in its assortment.

Neither Carolina Herrera nor its dad or mum firm, Puig, might be instantly reached for remark.

In 2019, Herrera’s inventive director Wes Gordon reportedly mentioned in an announcement in 2019 that the gathering “pays tribute to the richness of Mexican tradition.”

(Reporting by Ana Isabel Martinez and Sharay Angulo; Writing by Laura Gottesdiener; Enhancing by Chizu Nomiyama and Christopher Cushing)

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